
Trailer 1 of 1

Starlight is a play loved throughout the world. Karen and Hikari make a promise with each other when they're young that one day they'll stand on that stage together. Time passes, and now the girls are 16 years old. Karen is very enthusiastic about the lessons she takes every day, holding her promise close to her heart. Hikari has transferred schools and is now away from Karen. But the cogs of fate turn, and the two are destined to meet again. The girls and other Stage Girls will compete in a mysterious audition process to gain acceptance into the revue.

Starlight is a play loved throughout the world. Karen and Hikari make a promise with each other when they're young that one day they'll stand on that stage together. Time passes, and now the girls are 16 years old. Karen is very enthusiastic about the lessons she takes every day, holding her promise close to her heart. Hikari has transferred schools and is now away from Karen. But the cogs of fate turn, and the two are destined to meet again. The girls and other Stage Girls will compete in a mysterious audition process to gain acceptance into the revue.

Baki and the strongest Underground Arena fighters face a threat of historical proportions: the resurrected Musashi Miyamoto, Japan's greatest samurai.

Baki and the strongest Underground Arena fighters face a threat of historical proportions: the resurrected Musashi Miyamoto, Japan's greatest samurai.

In this world, creatures like vampires and werewolves still walk about, but Aya Rindo can’t say the same for herself. This beautiful disembodied head, carried by her maid Shizuku Hasei, is a detective in search of her stolen body. One evening, they meet half-human Oni Slayer Tsugaru Shunichi, who offers a lending hand. Now, the trio is traveling through Europe, solving mysteries along the way.

In this world, creatures like vampires and werewolves still walk about, but Aya Rindo can’t say the same for herself. This beautiful disembodied head, carried by her maid Shizuku Hasei, is a detective in search of her stolen body. One evening, they meet half-human Oni Slayer Tsugaru Shunichi, who offers a lending hand. Now, the trio is traveling through Europe, solving mysteries along the way.

An animated adaptation of six classical Japanese literature pieces, including No Longer Human (Ningen Shikkaku) and Run, Melos (Hashire, Melos) by Osamu Dazai, Kokoro by Natsume Souseki, Hell Screen (Jigoku Hen) and The Spider's Thread (Kumo no Ito) by Ryunosuke Akutagawa and In the Forest, Under Cherries in Full Bloom (Sakura no Mori no Mankai no Shita) by Ango Sakaguchi.

An animated adaptation of six classical Japanese literature pieces, including No Longer Human (Ningen Shikkaku) and Run, Melos (Hashire, Melos) by Osamu Dazai, Kokoro by Natsume Souseki, Hell Screen (Jigoku Hen) and The Spider's Thread (Kumo no Ito) by Ryunosuke Akutagawa and In the Forest, Under Cherries in Full Bloom (Sakura no Mori no Mankai no Shita) by Ango Sakaguchi.

When a certain man is released from prison, he knows exactly where he's heading first. After falling in love with a traditional comic storyteller's rendition of the story called "Shinigami," he is determined to become his apprentice. The performer, Yakumo, has never taken an apprentice before, but to everyone's surprise, he accepts the eager ex-prisoner, nicknaming him "Yotaro." As Yotaro happily begins his new life, he meets others in Yakumo's life, including Yakumo's ward Konatsu. Konatsu was the daughter of a famous storyteller, and Yakumo took her in after her father's tragic death. Konatsu loved her father's storytelling, and would love to become a performer in her own right—but that path is not available for women.

When a certain man is released from prison, he knows exactly where he's heading first. After falling in love with a traditional comic storyteller's rendition of the story called "Shinigami," he is determined to become his apprentice. The performer, Yakumo, has never taken an apprentice before, but to everyone's surprise, he accepts the eager ex-prisoner, nicknaming him "Yotaro." As Yotaro happily begins his new life, he meets others in Yakumo's life, including Yakumo's ward Konatsu. Konatsu was the daughter of a famous storyteller, and Yakumo took her in after her father's tragic death. Konatsu loved her father's storytelling, and would love to become a performer in her own right—but that path is not available for women.

In the bustling heart of Shibuya, four young women—an artist, a retired idol, a V-tuber, and a composer—form JELEE, an anonymous artist group. United in their quest for self-expression, they journey towards self-discovery and finding their voice.

In the bustling heart of Shibuya, four young women—an artist, a retired idol, a V-tuber, and a composer—form JELEE, an anonymous artist group. United in their quest for self-expression, they journey towards self-discovery and finding their voice.

Mihama Academy—on the surface, a closed learning environment established to nurture students who find themselves at odds with the world around them; in actuality, an orchard-cum-prison built to preserve fruit that has fallen too far from its tree. Yet with the arrival of the institute's first male student, the nearly preposterously opaque Kazami Yuuji, the students at Mihama begin to fall out of step with their predetermined rhythms. Will Yuuji prove to be the element the girls around him needed to take hold of their lives once more, or will the weight of their pasts prove too steep a wall to overcome?

Mihama Academy—on the surface, a closed learning environment established to nurture students who find themselves at odds with the world around them; in actuality, an orchard-cum-prison built to preserve fruit that has fallen too far from its tree. Yet with the arrival of the institute's first male student, the nearly preposterously opaque Kazami Yuuji, the students at Mihama begin to fall out of step with their predetermined rhythms. Will Yuuji prove to be the element the girls around him needed to take hold of their lives once more, or will the weight of their pasts prove too steep a wall to overcome?

A tranquil tale about two boys from very different upbringings. On one hand you have Kai, born as the son of a prostitute, who's been playing the abandoned piano in the forest near his home ever since he was young. And on the other you have Syuhei, practically breast-fed by the piano as the son of a family of prestigious pianists. Yet it is their common bond with the piano that eventually intertwines their paths in life.

A tranquil tale about two boys from very different upbringings. On one hand you have Kai, born as the son of a prostitute, who's been playing the abandoned piano in the forest near his home ever since he was young. And on the other you have Syuhei, practically breast-fed by the piano as the son of a family of prestigious pianists. Yet it is their common bond with the piano that eventually intertwines their paths in life.

Ten years have passed since the end of Bakumatsu, an era of war that saw the uprising of citizens against the Tokugawa shogunate. The revolutionaries wanted to create a time of peace, and a thriving country free from oppression. The new age of Meiji has come, but peace has not yet been achieved. Swords are banned but people are still murdered in the streets. Orphans of war veterans are left with nowhere to go, while the government seems content to just line their pockets with money.

Ten years have passed since the end of Bakumatsu, an era of war that saw the uprising of citizens against the Tokugawa shogunate. The revolutionaries wanted to create a time of peace, and a thriving country free from oppression. The new age of Meiji has come, but peace has not yet been achieved. Swords are banned but people are still murdered in the streets. Orphans of war veterans are left with nowhere to go, while the government seems content to just line their pockets with money.

At the beginning of the Edo Era, when people enjoyed a time of peace, Lord Tokugawa Tadanaga holds a fighting tournament. In the past, matches were fought with wooden swords. This time, real swords will be used. One-armed Fujiki Gennosuke and blind Irako Seigen will fight each other in this match. Both are disciples of Iwamoto Kogan, who is known as Japan's greatest swordsman. Each of them are determined to prove himself the successor of Iwamoto's school. However, there can only be one champion. So begins a story of intertwining fates, conflict, and strange destinies.

At the beginning of the Edo Era, when people enjoyed a time of peace, Lord Tokugawa Tadanaga holds a fighting tournament. In the past, matches were fought with wooden swords. This time, real swords will be used. One-armed Fujiki Gennosuke and blind Irako Seigen will fight each other in this match. Both are disciples of Iwamoto Kogan, who is known as Japan's greatest swordsman. Each of them are determined to prove himself the successor of Iwamoto's school. However, there can only be one champion. So begins a story of intertwining fates, conflict, and strange destinies.

Rikuo Nura, is 3 parts human and a quarter Demon, lives in a house of spirits with his grandfather, The current clan head of the Nura youkai. Rikuo is set to be the next clan head, despite the fact he dislikes his demon side. He soon come to terms with his demon blood and decides to take his position as young master of the Nura house. However there are those who will certainly not allow it to be easy.

Rikuo Nura, is 3 parts human and a quarter Demon, lives in a house of spirits with his grandfather, The current clan head of the Nura youkai. Rikuo is set to be the next clan head, despite the fact he dislikes his demon side. He soon come to terms with his demon blood and decides to take his position as young master of the Nura house. However there are those who will certainly not allow it to be easy.

This young student will do whatever it takes to become the world's best ballet dancer: the Danseur noble!

This young student will do whatever it takes to become the world's best ballet dancer: the Danseur noble!

On the run from a past crime, Juzo Fujimaki is blackmailed into joining an illicit tournament and has to face top martial artists in deadly match-ups.

On the run from a past crime, Juzo Fujimaki is blackmailed into joining an illicit tournament and has to face top martial artists in deadly match-ups.

The year is 1931. Prince Tokugawa Yoshinobu holds absolute control over Japan. Remnants of the Meiji era’s culture can be seen around the city, but scientific technology and Japanese esoteric cosmology Onmyodo are also developing. Yet lurking behind the glitz is Kuchinawa, a dissident group planning the assassination of the prince. Tasked to extinguish these dissidents is Nue, the government’s secret executioner group. Sawa Yukimura, who works for this organization, suffered at the hands of the Kuchinawa boss. Her entire family was murdered and she dedicated her life to avenging their death.

The year is 1931. Prince Tokugawa Yoshinobu holds absolute control over Japan. Remnants of the Meiji era’s culture can be seen around the city, but scientific technology and Japanese esoteric cosmology Onmyodo are also developing. Yet lurking behind the glitz is Kuchinawa, a dissident group planning the assassination of the prince. Tasked to extinguish these dissidents is Nue, the government’s secret executioner group. Sawa Yukimura, who works for this organization, suffered at the hands of the Kuchinawa boss. Her entire family was murdered and she dedicated her life to avenging their death.

The story is about Kozue Ayuhara, a girl who transferred to Fujimi College and tried out for the school volleyball team. She develops a friendship with her teammate Midori Hayakawa, and her talents impress coach Hongō more and more each day. Though she showcases extraordinary volleyball skills, she makes enemies with Yoshimura, the star of the current team. Kozue discovers that being at the top would bring stress, incompatibilities and other dilemmas into her life. Her high expectations of becoming the best volleyball player in the school, Japan and eventually the world, set the tone for the drama to follow.

The story is about Kozue Ayuhara, a girl who transferred to Fujimi College and tried out for the school volleyball team. She develops a friendship with her teammate Midori Hayakawa, and her talents impress coach Hongō more and more each day. Though she showcases extraordinary volleyball skills, she makes enemies with Yoshimura, the star of the current team. Kozue discovers that being at the top would bring stress, incompatibilities and other dilemmas into her life. Her high expectations of becoming the best volleyball player in the school, Japan and eventually the world, set the tone for the drama to follow.

In an alternate history where the male population is nearly decimated, eligible men serve as concubines to the woman shogun inside the walls of the Ooku.

In an alternate history where the male population is nearly decimated, eligible men serve as concubines to the woman shogun inside the walls of the Ooku.

A project where a number of women in different costumes show their panties while they make a disgusted face.

A project where a number of women in different costumes show their panties while they make a disgusted face.

Shinichiro is a student living in what would be a dream come true for most high school boys, but for him is mostly a frustration. A well liked girl in school named Hiromi has lived in his house for a year along with his family. Her father was a close friend of the family, and when he died they immediately took her in. She is popular and well liked, always smiles, is talented in sports- but Shinichiro knows there must be tears inside her. Having an artistic tendency, he makes watercolours of her and thinks about wishing to ease her tears. Yet he cannot bring up the nerve to talk to her even in his own home. She, too, is quiet and withdrawn in their house, quite unlike at school. Shinichiro is also distracted by teasing from his friend Nobuse for watching Hiromi from afar, a curse of bad luck from a strange girl named Noe, and being forced to perform Muhiga dancing. By helping Noe he hopes to ease his own problems, yet he seems to have difficulty helping himself.

Shinichiro is a student living in what would be a dream come true for most high school boys, but for him is mostly a frustration. A well liked girl in school named Hiromi has lived in his house for a year along with his family. Her father was a close friend of the family, and when he died they immediately took her in. She is popular and well liked, always smiles, is talented in sports- but Shinichiro knows there must be tears inside her. Having an artistic tendency, he makes watercolours of her and thinks about wishing to ease her tears. Yet he cannot bring up the nerve to talk to her even in his own home. She, too, is quiet and withdrawn in their house, quite unlike at school. Shinichiro is also distracted by teasing from his friend Nobuse for watching Hiromi from afar, a curse of bad luck from a strange girl named Noe, and being forced to perform Muhiga dancing. By helping Noe he hopes to ease his own problems, yet he seems to have difficulty helping himself.

After losing everything in a single night, Sakiko Togawa reaches out toward an even deeper abyss, one that will drag everyone around her down as well. Gathering the lives of girls burdened with their own troubles and desires, Sakiko raises the curtain on a perfect masquerade. On a stage where sorrow, death, fear, love—even the solace of forgetting—are stripped away, will their masks be torn off and shatter into oblivion?

After losing everything in a single night, Sakiko Togawa reaches out toward an even deeper abyss, one that will drag everyone around her down as well. Gathering the lives of girls burdened with their own troubles and desires, Sakiko raises the curtain on a perfect masquerade. On a stage where sorrow, death, fear, love—even the solace of forgetting—are stripped away, will their masks be torn off and shatter into oblivion?

Since the graduation of the senior members of the club, Takezou ends up being the sole member of the "Koto" (traditional Japanese string instrument) club. Now that the new school year has begun, Takezou will have to seek out new members into the club, or the club will become terminated. Out of nowhere, a new member barges into the near-abandoned club room, demanding to join the club. How will Takezou be able to keep his club alive and deal with this rascal of a new member?

Since the graduation of the senior members of the club, Takezou ends up being the sole member of the "Koto" (traditional Japanese string instrument) club. Now that the new school year has begun, Takezou will have to seek out new members into the club, or the club will become terminated. Out of nowhere, a new member barges into the near-abandoned club room, demanding to join the club. How will Takezou be able to keep his club alive and deal with this rascal of a new member?

