The Prodigy: Their Law - The Singles 1990-2005

A Watermelon Feast

An African American family eats watermelons.

El Mejor Error de Mi Vida

Conni & Co 2 - Das Geheimnis des T-Rex

Teenager Connie and her friends try to save an island full of nature and place of their encounters from being destroyed by the construction of a hotel there.

La Martina

Martina is a liberal woman who arrives to a small town, with his godfather. Here, Martina will met with her secret love, a typical "macho-ranchero" man, demanding her hand in matrimony. But he rejects Martina, claiming that she's not virgin and will return her to the godfather. When the godfather dies, Martina finds herself alone, and she'll begin a sexual adventure with almost the last men in the town, even with the shy chaplain.

The Other Lover

A novelist (Jack Scalia) enters into a complicated affair with a doctor's wife (Lindsay Wagner), who happens to be his publishing company's marketing director and a mother of two.

Red Rackham's Treasure

Tintin and Captain Haddock search for Red Rackham's treasure with the help of an eccentric but lovable professor.

Shapeless

A shadow questions itself about its shapes.

1-2-3

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.