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Sun Chung was already a valued comedy, romance, and modern crime filmmaker, when, through this tale of the 100 Poison Clique's obsessive ambition to destroy all rivals, he started bringing morality and motivation to martial arts movies like never before. Kung-fu superstar David Chiang and prominent choreographer Tang Chia lead the cast in a bloody clan clash centered on the trial of an admitted mass murderer and serial rapist. It was just the beginning of Sun Chung's exploration in emotion.
Riding the Rails offers a visionary perspective on the presumed romanticism of the road and cautionary legacy of the Great Depression. The filmmakers relay the experiences and painful recollections of these now-elderly survivors of the rails. Forced to travel more by economic necessity than the spirit of adventure, the film's subjects dispel romantic myths of a hobo existence and its corresponding veneer of freedom. Riding the Rails recounts the hoboes' trade secrets for survival and accounts of dank miseries, loneliness, imprisonment, death, and dispossession. Sixty years later, the filmmakers transport their subjects back to the tracks, where the surging impact of sound and movement resuscitates memories of a shattered adolescence and devastating rite of passage.
Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.
11 years old Brian is an imaginative boy who is dealing with the loss of his grandfather by constructing a fantastic series of rituals...
Romolo, a man lazy and devoid of any interest, has been married for ten years with Ines, the owner of a small service station. Tired of supporting his despotic and demanding wife, Romolo searches for a way out and finds it when Orazio, a former fellow soldier, who lives by his wits, invites him to roam freely with him around the world.
While contemplating what to say for the best man's toast at his little brother's wedding the following day, Kerri Colwell, a lonely, disillusioned, and somewhat shiftless young man from New Orleans, wanders into a southern Florida bar where he strikes up a conversation with Maren, a quick-witted, charming, young woman - who happens to be a drug dealer. Maren takes the displaced and somewhat enchanted Kerri back to her hotel room. He abruptly discovers he's stepped into a netherworld fraught with peril and the threat of violence deep down in Florida. With his life and Maren's in jeopardy, Kerri finds one slim chance to redeem his mistake and realize the misdirection of his pursuit of happiness, but it's also likely to cost him his life.
A crooked salmon fisherman tries to steal his best friend's fiancée and put him out of business.
Single mother asks for a miracle for her and her daughter during Christmas.
Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.
Mathieu Sapin's next graphic novel is about French independent cinemas. Taking us on a journey across France, he explores the challenges facing this fragile cultural ecosystem. On his way, Matthew discovers a community of enthusiasts and the diversity of French offerings that is admired the world over.
UFC 220: Miocic vs. Ngannou is a mixed martial arts event produced by the Ultimate Fighting Championship held on January 20, 2018 at TD Garden in Boston, Massachusetts.
Kush, a gynaecologist and a playboy refuses his family's wishes to marry because his freedom will be curtailed if he marries. He later marries Khushi, an innocent girl while acting as if he is also an innocent guy in front of her family.
After refusing to compromise at his job, a university professor leaves the city and returns to his native village for the first time in many years.
No. 5 Reversal opens with a close up sequence of two women in animated conversation, followed by an aural page/station structure. The film combines elements of horizontal and vertical montage in the soundtrack, using white noise, and radio static as a fragmentation device. The visually striking black and white photography weaves lyrical, pastoral nature with the de- and re- construction of civilization. No. 5 Reversal ends with a filmic signature, an image of its maker framed in front of a window against a backdrop of ruins.
A documentary on the life and work of Amácio Mazzaropi, a phenomenon of popularity and profitability of Brazilian cinema.
Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.
