ROH: Supercard of Honor XV

Drishya

Rajendra is a family-oriented man and tries to keep them happy. However, when his family commits an accidental crime, he does everything to keep them out of harm's way.

Udhaar Ki Zindagi

The film is a remake of the Telugu movie Seetharamaiah Gari Manavaralu (1991). This was Kajol's first author-backed role, which was critically acclaimed

Duet

Navigating the triple border that separates fiction, documentary and essay, in Dueto, writer and filmmaker Edgardo Cozarinsky and actor Rafael Ferro expose, in a confessional manner, the bond they have shared for many years, not only recalling but also retelling a handful of common stories. Some of them have to do with the origin of their relationship, others with its extremes, from the most tense to the most playful. However, all of them converge in a common denominator that keeps them together despite everything. Dueto is the story of two men who, without any shame, allow their friendship to affirm, with conviction, its real name—love. One that is sometimes tender and light, other times possessive and rough, but always ready for a generous indulgence that doesn’t need that of the flesh. The two of them turn Dueto into an oath made of film, in order to honor the pact of that powerful shared feeling.

Black Country, New Road - “Live at Bush Hall”

At the peak of their success, the lead singer of ‘Black Country, New Road’, Isaac Wood, left the band. This concert film documents the group’s triumphant return at three consecutive shows in Bush Hall, performing new music centered around recovering from loss and their continuing friendship.

Partiledaren som klev ut ur kylan

Håkan Juholt came from the reserve bench and became captain of the whole team. A high-stakes bet that hardly anyone had dared to bet on. But after only 303 days, Håkan Juholt's time as party leader for the Social Democrats was over.

Die Christel von der Post

Aoi-chan Won't Let Me Do It

In front of a man who wants to be a movie director, Shingo, the ghost of Mr. Kawashita, who was a senior in the college film research department who committed suicide a year ago, suddenly appears on his death anniversary. Mr. Kawashita says that he was revived because he wanted to have sex with his junior, Aoi, who had a crush on him when he was in college. In order to fulfill his desire to work with Aoi-chan, Kawashita-san and Shingo will travel back in time on that day when he was in college, which was probably the only chance for Kawashita-san to work with Aoi-chan. There was a nostalgic college Aoi-chan there. Can Mr. Kawashita redo the past and do it with Aoi-chan? It's funny, but a little sad time slip love story begins.

FreeDogme

Marie Berthelius and Roger Narbonne conference call Lars von Trier, Win Wenders, Lone Scherfig, and Jean-Marc Barr and are also linked by digital video. The discussion is about the Dogme 95 film movement and how technological transformations affect cinematic practice.

Mathusalem

Mathusalem (or Methuselah) is a 1922 play by Ivan Goll, considered a precursor of the theater of the absurd. The 1927 run of the play saw five sequences-- some of Jean Painlevé's earliest film work-- projected against a backdrop of white clouds.

The Esquimaux Village

One of the principal features at the Pan-American Exposition is the Alaskan or Esquimaux Village. In this most interesting exhibit...

I Really Hate My Ex

How far would you go to get over your ex? After recent bad relationships with men, best friends Brea, Wendy, and Jessica want answers—so they decide to kidnap their exes and hold them hostage until they get them! After the kidnappers share their story in an internet chat room, they become a worldwide sensation, as millions cheer on their battle of the exes in this screamingly funny comedy of seduction and abduction.

Moscow

Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.