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Ana bolts from her wedding altar and flies from Venezuela to Paris to realize her dream of becoming a great opera star.
In a Havana, shaken by Fidel's retirement, a young seamstress, trapped in a sweatshop job, dreams of designing beautiful dresses. Frustrated by her lazy, though adorable Cuban boyfriend, she meets a sophisticated ex-patriot Cuban-Venezuelan who dazzles her with a glamorous future. After many deceptions and surprises, Eva has to choose between the two men she loves. Hers is an unexpected decision... a humorous metaphor of Cuba's options for the future
Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a negro. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.
A very Parisian night. Paul plays at strangling Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight because the future is for those who get up early. Was it too late? It's too early to say.
One of the most outstanding personalities in the Danish film industry is Mogens Rukov, co-writer of Thomas Vinterberg's dogma-film The Celebration (Cannes, 1998, winner of the Jury Price) and head of the Department for Scriptwriting at the Danish Filmschool. Flemming Lyngse has made a film with rather than about Mogens Rukov. This is a film with a moving man - professionally as well as personally.
Life has been cruel to Sally Grimshaw and she has had enough. It's time to end it all. In a last ditch effort to save herself she calls a suicide hot-line and is persuaded to come in and see one of their mental health counsellors - Mr. Vincent. But Mr. Vincent has no intention of talking her out of killing herself. In fact, he runs a service that matches suicidal clients with potential hits. I mean, if you're going to kill yourself you might as well take out some human scum at the same time. At first she refuses, but life is never going to be kind to Sally and she finally agrees - she's in. Sally is faced with the moment of truth when she has to perform the hit. And it is always in such moments that we discover a truth about ourselves. And in such a moment, Sally discovers a reason to live.
Thomas, former successful stand up comedian will do anything to get back on the top. Unfortunately at the same time his teenage daughter demands his whole attention threatening the comeback he wants so badly...
Ar spends her days walking around hunting down bad vampires, while Max and her good vampire friends hang around town aimlessly, complaining about how bored they are. That all changes with the arrival of Mung (Yuen Wah), a vampire who kills other vampires to make himself more powerful (don't they always?). When Ar realizes that Mung's dragging her sister (Law regular Pinky Cheung) with him, she joins forces with the vegetarian vampires to fight their common enemy.
The whitewater raft trip of two couples is interrupted by a visit from four prison escapees who take the women hostage to aid in their escape. The husbands break free from their bonds and raft down the river in hopes of rescuing their wives.
Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.
Three inseparable friends are torn apart when one of them joins a criminal syndicate threatening to overpower his old friends' gang.
A family vaudeville act is threatened when the eldest son is offered a contract to play baseball. Musical.
Short 8mm film by Tachibana Kaoru
Impressions of contemporary British arts and fashion. Summary of art through the ages taking in every thing from Mary Quant to the Marat/Sade production. Made for the Montreal "Expo '67" exhibition.
