Πόντιοι: New Generation = Νέων Γενεάν

Box

Box is a story of two people who meet at a crossroad. Two different destinies, two different lives, face to face in a game of sweat, blood and tears. Rafael (19) is a young boxer who dreams to conquer the world; Cristina (33) is a single mother who lost her balance. Two lives; one running very close to the earth, the other trying to fly high up, too high.

Projota - AMADMOL (A Milenar Arte de Meter o Louco)

Gasping for Air

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Montana

In the mean streets of London's East End, a former Serbian commando and a fourteen-year old boy plot revenge against a powerful crime lord and his ruthless lieutenants. As our heroes prepare to take on their enemies, the boy is mentored in the dark arts of assassination and learns the true meaning of friendship, honor and respect.

Bodies Under Construction

A filmed manifesto about our trans bodies, their beauty, their glory and their ability to evolve with us along the way.

DragonHeart: A New Beginning

When Geoff, an orphaned stable boy (Chris Masterson), discovers Drake (voice of Robby Benson), the world's last living dragon, he realizes that his dream of becoming a knight in shining armor can now come true. Together, they soon face challenges that turn them into heroes. But caught up in the excitement of their new lives, Geoff and Drake fail to see the hidden dangers that surround them.

Kiss Me Off The Record

She is a former air hostess; he is a fair-haired St Petersburg-born politician with a secret past and a thorough knowledge of German. Despite the familiar-sounding characters, the film’s makers claim that its hero is not Russian President Vladimir Putin, but a fictional Russian politician named Alexander Platov.

Paris By Night 123 - Ao Anh

Paris By Night 123 - Mirage

Barbie: The Pearl Princess

Barbie plays Lumina, a mermaid girl with the power to change the color of pearls. Cheerful and creative, Lumina finds herself working in a mermaid salon customizing fabulous hairstyles. And when Lumina has the chance to attend the royal ball, her friends adorn her with a gown fit for a princess. At the ball, villains try to seize power over the kingdom, and Lumina finds within herself an unexpected power that proves she is much more than a hair stylist.

Box

8mm film by Swiss artist Roman Signer.

Barbie in Princess Power

Barbie is Kara - a modern-day princess with a normal life. Kissed by a butterfly which gives her superpowers and allows her to become a Super Sparkle, she is ready to save the kingdom from evil - were it not for her jealous cousin who is also kissed by the butterfly and becomes her rival and nemesis. Watch as Super Sparkle and Dark Sparkle learn that together they can become a great team for good once they learn the power of friendship.

Alternating Currents

This was an unfinished collaboration with Stan Brakhage. This film was actually screened publicly at least a few times, including at Pacific Film Archive (11/15/1994, described as a premiere), MoMA (5/3/1999, also described as a premiere – probably a revision), and First Person Cinema, CU Boulder (4/24/2000). TBD, but it’s likely that Solomon probably screened a workprint or even spliced original of the film in these instances (as he had done with The Lateness of the Hour), and then withdrew the film to work on further. It was never ultimately completed or re-released.

1-2-3

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.