Masterclass Part 1: Technique & Training

Hé M'sieur

A former history teacher-turned-municipal librarian tries to help local young people.

No. 5 Reversal

No. 5 Reversal opens with a close up sequence of two women in animated conversation, followed by an aural page/station structure. The film combines elements of horizontal and vertical montage in the soundtrack, using white noise, and radio static as a fragmentation device. The visually striking black and white photography weaves lyrical, pastoral nature with the de- and re- construction of civilization. No. 5 Reversal ends with a filmic signature, an image of its maker framed in front of a window against a backdrop of ruins.

La mataviejitas

The story of the serial killer "La Mataviejitas", a woman who murdered elderly people.

Maintenant, tout de suite

Camille is a completely ordinary woman. Former assistant in a pharmaceutical factory, her life never had any meaning for her. Disillusioned and deeply disappointed by the inaction of governments in the face of the ecological crisis, she decides to take action.

Death of a Banker

Yard Work

Meet Brett, Brett's not the brightest when it comes to yard work but he knows it can be a good escape from the wife and that damned awful stepson. Follow along as Brett finds himself getting into some very troubling situations like a limb on a powerline or the classic potato wedged in the mower blades! Who knows what might happen to Brett? Starring Michael Simmons as Brett Directed and Shot by Justin Cottingham and Samael Horton Written by Samael Horton, Justin Cottingham, Madison Malcolm, and Michael Simmons Best and Only Grip Syd Pollock Original Score by Druidic (also Michael Simmons) Presented by Gosh Darn Video and ​⁠

Entangling Shadows

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

Die Sklavenkarawane

The dreaded slave hunter Abu el Mot attacks the caravan and abducts the travelers, including Kara Ben Nemsi, his faithful companion Hadschi Halef Omar, the quirky scholar Ignaz Pfotenhauer and the English explorer Sir David Lindsay. Kara Ben Nemsi manages to escape with Hadschi Halef. To get help, they set off on a long journey full of impassable adventures...

Le Marin Acéphale

A sailor, Alonso Samoza, is passionately in love with two sisters. But to be able to marry one of them, Maria, he must first murder the other, Rebecca. During an accident at sea, the sailor is beheaded. Beyond death, he will try to fulfill his desires.

Queer Japan

Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.

Young Swallow

Despite opposition from the gymnastics team director, a coach proves the success of a new training plan.

Machete Gillette... Mama

"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg