Martes y trece

Star

When Crystal Wyatt was 16 her father passed away. From that time her life would never be the same. Crystal is banished from the family ranch, and starts a new life as a singer in a San Francisco nightclub.

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo

East of Main Street: Milestones

The Venice Hongwanji Buddhist Temple had an opportunity to take part in an episode of East of Main Street, an HBO documentary series that has been produced for the past three years to celebrate Asian Pacific American Heritage Month. This year’s episode, Milestones, focuses on how different groups of Asian Americans mark the milestones throughout their lives.

Six Days of Sistine

Two souls lost in a world of modernisation find each other in a moment's need for clarity and appreciation.

Gal Avatar

An ordinary high school student– with an incontinent grandmother and extremely horny dad, are visited by an extremely pretty avatar to preform a “mind transfer” on Grandma. But before too long, Dad’s sniffing round to get it on with the great-shaped avatar.

Main Krishna Hoon

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

The Latin Explosion: A New America

With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.

War Stories Our Mothers Never Told Us

Seven New Zealand women speak about their lives during World War II: some lost husbands, some got married, some went into service themselves. The director lets the women tell their stories simply, alternating between them talking and archival footage of the war years.

Succubus

A new father going through a marital separation joins a dating app and matches with a beautiful but mysterious young woman... whose powers of seduction and manipulation entangle him in a mystery more horrifying than he could have ever imagined.

Christmas Wreaths and Ribbons

A wreathmaker slips on ice and injures her arm which puts her holiday wreath deliveries in jeopardy until a selfless neighbor steps up to keep her business afloat.

Box

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

We'll Go to the City

"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.

Anthrax: Chile On Hell

"Chile On Hell" was filmed at the Teatro Caupolican in Santiago, Chile on May 10, 2013, and features Anthrax - Joey Belladonna/vocals, Scott Ian/guitar, Charlie Benante/drums, Frank Bello/bass and Jon Donais/lead guitar. The band performed an extended set that featured songs from Anthrax's entire catalogue - all the fan-favorites including "I Am The Law," "Indians," "Madhouse," "Caught In A Mosh," "The Devil You Know," and "I'm Alive." "Santiago was the perfect place to film the show for this," said Anthrax's Charlie Benante. "When we'd played there in the past, we'd finish our set, play our encore and go back to the dressing room. But every time, the fans would continue to scream and cheer and clap. I mean, they went on and on, they wouldn't stop. One time Scott and I walked out to the side of the stage just to watch what was going on in the audience, it was intense. Why wouldn't we want to film a DVD in front of an audience like that?