Kanmadam

Return

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

ANIMALI FANTASTISBRIZZ I REATINONINPRESCRIZIONE DI GRINDESBRIZZ

Four Bullets for Joe

The mysterious death of a man who is about to leave a small town in Kansas with his girlfriend triggers a chain of unfortunate events that will only end when another man completes a relentless and bloody revenge.

Nighthawk

A badger is lying motionless on a local road. A police patrol approaches the body in the dark. They soon realise that the animal is not dead; the badger is dead drunk! When the police attempt to drag the creature off the road, he wakes up and things take a strange turn.

Object: Alimony

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

The Wind Blows the Border

On the violent border between Brazil and Paraguay, a war is being waged around the expansion of agribusiness. On one side sits lawyer Luana Ruiz, the heiress to contested lands and one of the strongest supporters of president Jair Bolsonaro. Ruiz, like other ruralistas—rural wealthy elites and agribusiness producers who advocate for Indigenous cultural annihilation—has become empowered and her ideas of hate have flourished under Bolsonaro's anti-Indigenous agenda. On the other side sits teacher, Guarani-Kaiowá leader and activist Alenir Ximendes, embodying powerful Indigenous resistance and communal ideals. Having personally suffered losses at the hands of the ruralistas, Ximendes emerges as a powerful force against Ruiz, fighting for the protection of her community, their lands and Indigenous constitutional rights. This film contains sensitive images and dialogue in its portrayal of this urgent struggle for sovereignty.

Styx

A film about a soul's journey through time. It is a story about soul mates, the karma of their cursed relationship, which they endure from one life to the next.

Love Bite: Laurie Lipton and Her Disturbing Black & White Drawings

With millions of tiny strokes of her humble pencil, Laurie Lipton’s haunted images seek answers to some of the most uncomfortable themes in our culture. But what compels her to live a life of isolation drawing is neither black nor white.

The Other Lover

A novelist (Jack Scalia) enters into a complicated affair with a doctor's wife (Lindsay Wagner), who happens to be his publishing company's marketing director and a mother of two.

Movie Trailers: A Love Story

Since their creation in 1913, movie trailers and the audience have shared a special relationship that has grown and evolved as the trailers themselves have over the years. This relationship has its euphoric highs to it's frustrating lows. But like any great romance, the trailer and the audience always find their way back to each other.

Return

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

Pretty Bloody: The Women of Horror

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.