Galaxy

Anne au Pays d'Euro Disney

Katydid

Skye just wants to have a date with his crush, Annabelle. Only one problem stands in the way - twin brother Leif... but not quite in the way Skye thinks.

Return

Plot unknown *shrug emoji*

Time and Judgement: A Diary of a 400 Year Exile

Time and Judgement is a sci-fi/documentary that combines biblical prophecy with events across the African diaspora between 1980 and 1987. Archive footage includes Haile Selassie, Bob Marley, Kwame Nkrumah, Maurice Bishop, Walter Rodney, Kwame Toure, Bernie Grant.

Monster High - Schrecklich schönes Schuljahr & Aller Anfang ist schwer

Great White Fight Club

Experts set out to prove that female great white sharks rule the ocean.

Taiwan Black Movies

Between 1979 and 1983, 117 violent and gritty social realist pictures were produced in Taiwan. Many of these found their way around the world courtesy of Hong Kong's IFD films.

Schism

Kings of Soul

A documentary celebrating the men whose vocal stylings have carried the torch for soul across six decades.. Featuring footage of Brenton Wood performing Gimme Little Sign and Curtis Mayfield singing Keep On Keeping On, as well as appearances by Billy Preston, Bill Withers, Billy Ocean, Alexander O'Neal, Barry White, Bobby Womack and many more.

The Sweetest Song I Know

Gaither Gospel Series: Recorded at Pinebrook Studios, Alexandria, Indiana

Sakalakala Vallavan

Sakthi is in love with Anjali but marries city girl Divya because his father has given his word to her dad. But Divya is least interested in making the marriage work and wants a divorce...

Man From Tomorrow

The film is by Jacqueline Caux, a French director whose work often touches on experimenters in modern and contemporary music, including the 2007 Detroit techno documentary The Cycles Of The Mental Machine. According to the press release, her latest film is less a straightforward profile of the inventive Detroiter than an impressionistic piece that draws on the mood and thematic underpinnings of his work. Man From Tomorrow is divided into two parts: the first part sets images to Mills' exclusive score for the film and features no dialog, and the second uses quotes pulled from interviews the director conducted with him. The director says there's no straightforward narrative or message in the film, though we should expect lots of the sci-fi futurism we've come to expect from Mills; as she puts it, "I wanted to give free reign to the viewer’s subjective impressions and physical sensations."