Fugu - A Taste to Die For

Dark Parasite

After a Robbery at a jewelry story, a group of robbers takes refuge with a host in a shabby apartment building in the suburbs. But they don't know that in the basement hides an obscure alien creature with telepathic powers.

A Lure: Teen Fight Club

A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.

Sunset Grill

Ryder Hart is a private investigator and former police officer who is down on his luck and drinks too much. His estranged wife Anita runs a bar and restaurant called the Sunset Grill and is romantically involved with Jeff Carruthers, a detective who worked with Hart. When someone close to them is murdered, Hart and Carruthers team up to try to solve the crime.

Raquel: Total beauty and fitness

I Love You Jet Li

Taking us into what for Mark Augé is the ultimate non-place - an airport waiting lounge - Stacy Hardy and Jaco Bouwer provide still more proof of supermodernity's failure to do away with organic social life. Granted, the space we enter with them is not one of healthy connections between human beings encountering each other in a functional polis. Clearly, theirs is a world of radical disconnects. At the same time, however, it is a world in which people invent highly idiosyncratic lives for themselves - if there is one thing missing here it is precisely uniformity - and in which imaginaries go haywire. Indubitably, the Hardy/Bouwer airport lounge is a dystopian space and this space, it seems fair to say, functions as a synecdoche for a larger social condition. But dystopia here stands in radical opposition to uniformity and it is determined to break the mold of late capitalist habitus (Dominique Malaquais, SPARCK).