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Two elite astronauts wake up in the abyss of space; they return to their stranded ship and discover the surprising reason behind their mission's catastrophic failure.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
Teresa und Patricia are best friends. Despite the big differences between date-experienced Teresa and romantically predisposed single-mother Patricia, they have one thing in common: they have enough of bad dates and are sick of stupid dudes, bad surprises and broken hearts. When Teresa meets the neurotic programmer Anton, who is completely inexperienced in the field of romance, they come up with a genius business idea: together with the womanizer and start-up founder Paul, they develop an app with which potential dates can be categorized. In this manner, users can paint a picture of what they're getting themselves into. However, quite quickly they find out that people can't be easily fit into boxes and that matters of the heart shouldn't be left to an algorithm...
Two girls with the same name but very different personalities share an apartment in this sequel to Nana. The rising fame of Nana Osaki's band, the Black Stones, is beginning to take a toll on the best friends' relationship. Meanwhile, Nana Komatsu struggles to make sense of her love triangle with Black Stones' guitarist Nobu and rival group Trapnest's bassist Takumi.
Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany
A depiction of the Wrangelkiez neighbourhood in Berlin. The people portrayed tell their life stories. One woman came to the neighbourhood a decade ago to work in Berlin’s still unfinished Brandenburger Airport, one man reminisces his childhood on a Tobacco farm in Kentucky, another speaks of an exceptional day in an otherwise monotonous workplace. These portraits are interwoven with the story of Elpi, a Greek woman who is waiting for the long overdue visit of an old important friend. The outcome of this mixture is a film which captures the lives and perspectives of some of Wrangelkiez’s most commanding citizens, while at the same time evoking the loss that change and time passing means for places and for people.
Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.
A young college student is given a disturbing ultimatum when a dark secret from his past is resurrected.
A female lawyer begins to suspect that lawlessness is going on in prison, and a female prisoner helps her.
Shot in Munich just a few weeks after it was taken by the American troops on April 30, 1945.
Four female friends reunite after 15 years and old resentments resurface. Soon afterwards, one of them is found dead. The police tries to determine whether it was suicide or murder.
In 1984, Midnight Oil released their iconic record Red Sails in the Sunset. They embarked on a relentless tour around the nation performing raw and electrifying music that reignited the imagination of young Australians. That same year, their lead singer Peter Garrett committed to run for a Senate seat for the Nuclear Disarmament Party. With the mounting pressure of balancing the demands of music and politics this is the year that would make, but nearly break, Australia's most important rock and roll band. Thirty years in the making and featuring never seen before seen footage of the band on and off the stage, Midnight Oil: 1984 is the untold story of the year Australia’s most iconic rock band inspired the nation to believe in the power of music to change the world.
Love Yalishupa: Loy B & Haluna Wings feat. Jemax (2024) Loy B Performs in the Music Video "Love Yalishupa" which means Romantic Relationships are Hard to maintain. The music Video Starts with Loy B entering the fancy restaurant seemingly was about to propose to his woman who hasn't arrived yet.
The photographs of two elderly people used in this work were taken during a train journey in the first half of Ishii's previous work, "Wind crossing" He uses it as a photograph. There is no doubt that these two are particularly memorable for Ishii, but how should we as an audience perceive these acts? Then something occurred to me. In my work "Guiding Star", there is a part where I walk through an underground passage at night during a trip in Hokuriku. That place was Kanazawa. Lately I've been visiting Kanazawa every year for the Maki Asakawa live video screening, but most of the time I travel from Kansai to Kanazawa, or vice versa, by express bus. Then, the bus always passes through that underground passage. Ah, it was here. With that thought in mind, I play with the memories of that trip for a while, no longer happy or sad, but dry and dry. It might be something similar. However, in my case, unlike Ishii's narration in the story, I feel like "it somehow continued to live." M.Yamazaki
The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.
