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Kalla Kulla is a 1975 Indian Kannada-language comedy drama film, directed by K. S. R. Das and produced by Shastry Associates. The story is written by M. D. Sundar. The film stars Vishnuvardhan, Dwarakish, Bhavani and Jayalakshmi. The film was widely appreciated for its songs and story upon release. The songs composed by Rajan–Nagendra were huge hits. The movie was dubbed in Hindi as Chor Ka Bhai Chor. H.R. Bhargava was the associate director of this movie. The director remade the movie in Telugu in 1976 as Kallanum Kullanum. The movie was dubbed in Malayalam as Kallanum Kullanum
A wreathmaker slips on ice and injures her arm which puts her holiday wreath deliveries in jeopardy until a selfless neighbor steps up to keep her business afloat.
The title is playing with us, claiming that the film is a detective story. Witch in a way it is not untrue. The camera is peeping tom and it does not lose a thing (almost) in its surveillance: every movement, people coming and going, sounds, a sudden shot... A crime ? Maybe. Some phone calls and nobody answering: another crime ?
A live performance by Lennie Norman and Claes Malmberg, two of Sweden's top notch stand-up comedians. Taped live by Kanal 5 in Louis De Geer-hallen in Norrköping, Sweden in 1997, during their highly successful 'Kramgoa Killer 97' tour.
A research scientist discovers that his project is being secretly adapted for use by the military. When he objects, his co-workers start to die in mysterious accidents.
The story of the serial killer "La Mataviejitas", a woman who murdered elderly people.
After hiding a hunting accident. Will (Cameron Hartl), suffers morbid hallucinations and mounting paranoia. Trapped inside the woods with his wife and daughter, he must confront his lie in the face of his family, deal with his conscience, but also face up the real problem latent in him all along his shadow.
Huey, Dewey and Louie are building a snowman for the big snowman contest, but Donald's skating mishaps destroy their first attempt. Can their revenge be far away?
A short film cut up into 11 different clips used to display the music produced by Ethan Rowland and friends (Bathtub Partying).
A short nightmare childhood memory recorded in digital
Mathieu Sapin's next graphic novel is about French independent cinemas. Taking us on a journey across France, he explores the challenges facing this fragile cultural ecosystem. On his way, Matthew discovers a community of enthusiasts and the diversity of French offerings that is admired the world over.
Commissioner Malaise investigates a strange crime: a mannequin, stolen from the window of a tailor, is found stabbed... But his face of wax has the features of a certain Gilbert, who died a year earlier in a family, all of whose members will become more or less suspicious to the Commissioner. He thinks that, in spite of Dr. Furnelle's conclusions, Gilbert's death was not natural. But finding the cause of death and the identity of the possible culprit will require more than a mere intuition.
Robert De Niro is famous for his award-winning portrayals of gangsters, criminals and socially disturbed men who show surprising traces of vulnerability. By analyzing his astonishing roles in iconic films through the years, the documentary reveal the complex actor behind these extreme characters. Because the public knows little about the man who is largely silent about his own life and emotions, this film tries to unwraps one of the most fascinating and enigmatic American actors of all time for the audience. For this the filmakers use clips from his feature films, archive footage of his sparse interviews and probe into his background to illustrate De Niro’s methods for becoming the characters he plays and the reasons he’s able to do so. All of this culminates in a rare exposé of the genesis of the hidden pain that enables the masterful actor to bring such intensity to the big screen.
The drug ballad of a gravely ill border cop's reckless heist of a cartel shipment, sung by a desperate soul destroyed in her wake.
No. 5 Reversal opens with a close up sequence of two women in animated conversation, followed by an aural page/station structure. The film combines elements of horizontal and vertical montage in the soundtrack, using white noise, and radio static as a fragmentation device. The visually striking black and white photography weaves lyrical, pastoral nature with the de- and re- construction of civilization. No. 5 Reversal ends with a filmic signature, an image of its maker framed in front of a window against a backdrop of ruins.
