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Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.
The third instalment in the Dune franchise. Plot TBA.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
One of multiple Walt Disney adaptations from Rutherford Montgomery stories.
A young actress arrives late to a casting, making up a great excuse without knowing a small detail.
A determined Japanese woman gets a job in Korea. She thinks she will be cleaning, but she is taught to massage. When her director touches her inappropriately she runs into the street where she encounters men who take advantage of her and she becomes homeless. She is found by a webtoon designer who uses her as inspiration for his webtoons. Will she become more than his inspiration?
"A film after film". A director goes to Sabinov, where the Oscar-winning film The Shop on Main Street was shot almost fifty years ago. He meets people connected to the film as well as others who remind him of various characters. A tribute to a particular film as well as to film as such.
Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.
“1-2-3” explores the harrowing tale of human trafficking in the country.
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
An officer in the Greek army arrives in Crete, immediately after the fall in the hands of the Germans. In collaboration with rebels and allies saboteurs involved in sabotage installations of the Germans. The old favorite will ensure some secret documents, which will steal from the German commander, but then betrayal will be revealed and will be led to the firing squad. The young officer would punish will escape in Cairo.
Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.
Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.
