Alma mía

Beautiful Melancholy

A young couple reminisces about their relationship on the night of their break up.

Can I Borrow a Light?

A thoughtful young man ambles around the Han River, providing an expansive setting for his contemplations. During a telephone call on the Jamsu Bridge, connecting the districts of Yongsan-gu and Seocho-gu in Seoul, he discovers his umbrella has been lost by the girl he lent it to, and judging by his disappointed reaction, we can see he is hurt at being forgotten. Another lost soul is on this bridge, a man with a guitar asks for a light and a song. Soon the young man’s problems are put into context, when arguments about umbrellas seem to fade into meaninglessness.

Jun Hau Timi

Jun Hau Timi is a romantic tale of unexpected love in the heart of London. Samir, a dashing and fitness-conscious man from Nepal, is searching for the perfect partner. Shristi, a young and beautiful woman from India, is exploring life in the United Kingdom. One day, Samir decides to visit Tower Bridge in London. As he stands admiring the iconic landmark, he notices Shristi walking nearby. Captivated by her beauty, he approaches her and introduces himself. Shristi warmly responds, and the two strike up an instant connection. Eager to share the city's charm, Shristi takes Samir on a tour of London's landmarks, including London Bridge and other picturesque spots. Their friendship deepens as they spend more time together, and a spark of love begins to grow. The story conveys a simple yet profound message: love can happen anytime, anywhere, with someone who feels like destiny

Pugili dell'Inferno

"The Heart" 40 Years Later

Forty years ago, a documentary film about Soviet cardiac surgeons was released. Perhaps, for the first time on our screen, doctors reflected on the value of human life, talked about their experiences caused by the death of a patient, about the imperfection of Soviet medicine, the lack of knowledge and responsibility of doctors. For forty years, medicine has made an incredible breakthrough, but the moral problems that plague doctors have remained the same. “You can’t get used to death” is the leitmotif of the paintings, old and new. The film was awarded as the Best Non-Fiction Film at the Russian Film Festival "Window to Europe" - 2016.

Rewild

This film is part of the Splash and Burn activist art campaign within a new forest restoration site on the borders of the Leuser Ecosystem, and reveals a Rewind symbol carved into a palm oil plantation in Sumatra, Indonesia. The narrative runs in reverse, rewinding the clock on deforestation to undo the damage caused by the unsustainable production of one of the world’s most versatile commodities. Beyond the industrialisation of the land, we end at the beginning, a thriving eco-system alive with wildlife. The concept mirrors the real world action of the NGOs Sumatran Orangutan Society and their partners in reclaiming land on the borders of the Leuser rainforests to rewild them with indigenous trees, expanding the boundaries of one of the most biodiverse places on Earth.

Cry Terror!

A mad bomber holds an innocent family hostage.

Kaagangal

Tang Wong

Four high school boys driven by very different reasons, end up praying before the Luang Poo at the spirit house near their school, promising to give the idol a Thai dance if their wishes come true. The boys enlist Nut a professional dancer to teach them some moves.

Tell Me

Nobody could have imagined that one day we would be forced to be isolated in our homes. That the police are roaming the streets, telling people to stay indoors. That the streets are silent and empty. That our relationships are tested with the simple inevitability of being together 24/7 in the same space. We all experienced something, whether it be painful or reflective, but it changed us. An international phone line was opened and people left messages reflecting their feelings, thoughts and experiences. 22 filmmakers from 15 countries united to make a visual-philosophical documentary of isolation.

Artistes de la vie