Acústico MTV: Charlie Brown Jr.

Double or Nothing

Marillion - Holidays in Zelande

Filmed at the Marillion Weekend, Holland 2011. Friday night saw the band performing their classic 1991 album "Holidays In Eden", Saturday night dubbed "A-Z" with the band playing an alphabetical set, and Sunday night dubbed "The Glow Must Go On", where the audience (armed with glow sticks) would decide what the band would play next given a choice between any two songs.

Deceitful

Two brothers who plan on selling their business soon find their personal lives full of deceit and deceitful things...

Make It Happen

Rueang asks Oum to help him decide what to buy for Fah, Rueang's girlfriend. On his coming anniversary.

Donald Fagen: Kamakiriad

Saga

"While film always seems to aim for humanism and anthropomorphism, I endeavoured in my film to represent only a language with three­ dimensional letters." Saga is an extension of the plurality of the means of experimentation used by Jean-François Bory to capture the dynamic inside the text, directly related to the spatialisation of letters theorised by Pierre Garnier. lts corresponding object­ book masterfully resumes the cinematographic dimension in the progression of the writing and uses a visual narration.

The Man I Love

Wellman’s first all-talkie, scripted by Herman Mankiewicz, with arrogant boxer Richard Arlen romancing Mary Brian, then falling for temptress Olga Baclanova (Freaks) on the eve of the big fight.

Canada Vignettes: December Lights

Animated film of a traditional Franco-Manitoban tale that resembles the story of the first Christmas.

Bond of Fear

An escaped killer hides out by forcing a travelling family to take him with them.

Box

Love on Trend

When Allie Ederling left her small town to move to New York to pursue her dream of becoming a fashion designer, little did she imagine that the city had big plans for her… and for her heart!

Alternating Currents

This was an unfinished collaboration with Stan Brakhage. This film was actually screened publicly at least a few times, including at Pacific Film Archive (11/15/1994, described as a premiere), MoMA (5/3/1999, also described as a premiere – probably a revision), and First Person Cinema, CU Boulder (4/24/2000). TBD, but it’s likely that Solomon probably screened a workprint or even spliced original of the film in these instances (as he had done with The Lateness of the Hour), and then withdrew the film to work on further. It was never ultimately completed or re-released.